[MR] A&S Questions

Pat ogaullee at home.com
Wed Sep 5 19:58:12 PDT 2001


This is fair comment.  Unfortunately this sort of judgmental remark is more
often the case than not.  It is quite a disservice to people who sincerely
spend hours of painstaking work putting together an exhibit with
documentation.

We have some very gifted people in the SCA and I think it is unfortunate to
trivialize their efforts with this sort of thoughtless "critique."  It is
certainly no encouragement to future exhibitors.

Mali O'Gaul-Lee

----- Original Message -----
From: "Betty Eyer" <betty_eyer at yahoo.com>
To: "Terry L. Neill" <t_neill at hotmail.com>; <Atlantia at atlantia.sca.org>
Sent: Wednesday, September 05, 2001 9:41 AM
Subject: RE: Re: [MR] A&S Questions


> Speaking of which...
>
> There was a hat competition during the reign of
> Stephan and Niobe.  I entered it with a veil wrapped
> padded roll.  I had a little booklet of documentation
> including mostly northern school paintings and one
> perticular "descent from the cross" that had lots of
> flemish ladies all wearing hats.  One of the judges
> (and they were all female) wrote nothing on the
> comment sheet except something like "The lady in the
> descent from the cross painting is a gypsy".  She did
> not indicate who she was.
>
> This comment frustrated me immensely, and I would love
> to hear more.  Because of timing issues at the event,
> the whole competition closed and dispersed rather
> quickly after judging to make way for court, so I was
> never able to find out who made the comment. Questions
> came to mind like: "Huh?", and "Does that disqualify
> my entry as a period hat or this painting as valid
> documentation?",  "Of all the work that I did, why was
> that the only thing you felt that you should comment
> on.", "Which lady, there are 5 or more in this
> painting all wearing hats???",  "Where do you get
> documentation about gypsy's and what makes you think
> there is one in this picture?", "Am I supposed to
> learn something about hats from that comment and if
> so, what???" "Why would Van der Weyden put a gypsy in
> a very religious painting?".   So if that is you,
> please contact me cause I am still very curious on
> this gypsy/hat question.
>
> Magdalena
> --- "Terry L. Neill" <t_neill at hotmail.com> wrote:
> > >From: "Martha Wallenhorst" <lghthse at gte.net>
> >
> > >There are times when knowing the judges can be very
> > important,
> >
> >
> > I am of the opinion that there should be no
> > circumstances where either the
> > judge or a commenter is anonymous.
> >
> > Anyone commenting on a piece should sign his or her
> > name--or don't leave the
> > coment.
> >
> > All judges should be known to all competitors.
> >
> > Regards!
> >
> > - Anarra
> >
> >
> _________________________________________________________________
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> Magdalena de Hazebrouck-Purpure, a fess fusilly argent between three
torches or. While Joshua was near Jericho, he raised his eyes and saw one
who stood facing him, drawn sword in hand.  Joshua went up to him and asked
"Are you one of us or of our enemies?" He replied, "Neither.  I am the
captain of the host of the Lord and I have just arrived in this valley."
Joshua 5, 13-14.
>
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