[Ponte Alto] In the washinton paper:
AbelSussman at aol.com
AbelSussman at aol.com
Thu Oct 11 14:24:49 PDT 2001
Thought you might enjoy
-Abel
LORDS, LADIES REVEL IN THE DAYS OF OLDE
Mark Longaker
SPECIAL TO THE WASHINGTON TIMES
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Foot soldiers wearing shiny steel helmets, chain-mail vests,
heavy leather boots and other medieval armor, foot soldiers
in the two opposing lines approach each other, raise their
emblazoned shields and brandish swords and spears of rattan.
"Lay on!" roars the warlord, and the lines charge each other
across the broad lawn at Marietta Mansion in Glenn Dale, Md.
They collide, swords and spears flashing like lightning,
crashing down on wooden shields. Some 15 furious seconds
later the skirmish ends. The "dead" rise from the grass to
rejoin the living, and everybody talks it over, amiably.
These are the weekend warriors of the Society for Creative
Anachronism (SCA), and the melee is just a warm-up for the
all-out war tomorrow through Sunday at Darlington, Md. —the
Kingdom Crusades. The "crusades" will pitch two rival SCA
kingdoms into a medieval maelstrom, their massed battalions
storming across a storied field straight out of Arthurian
legend.
Life in the past lane attracts a growing legion of devotees.
Thirty-five years after its inception, the SCA now numbers
nearly 30,000 members, up a third in the last decade.
SCAdians, as they dub themselves, dedicate themselves to
researching and re-creating pre-17th century history. They
live in a global realm of 16 kingdoms. Christened the Knowne
Worlde, this land of lore welcomes members and non-members
alike into its mythic celebration.
A similar organization, the Markland Medieval Mercenary
Militia, operates from the Virginias through the New York
City area and specializes in the darker ages, those before
1300.
Whatever the era, the return to simpler and even primitive
times seems an answer to a 21st century need.
"There are magic moments," says SCA viscount Sir Saeric
Scireham (otherwise known as Steve Traylor, a massage
therapist living in Silver Spring), "when you're sitting
around a campfire. Nothing but torches light you all the way
around. You hear a lute and a singer in the distance. You
see people tromping by in armor. There is nothing from the
modern world, and it seems like you're transported back."
• • •
The SCA began as a swashbuckling theme party thrown by the
Literature Department at the University of California,
Berkeley, on May 1, 1966. Come wearing whatever costume you
like, they said, so long as it suits a gallant era of sword
and fabled song.
Everybody enjoyed this novel party but thought little more
about it until May Day rolled around again a year later.
They threw another bash, bigger this time, and bigger fun.
That led to other medieval costume parties. A society soon
formed, which incorporated itself as a non-profit,
educational group in 1968, officially launching the SCA.
True to its party roots, the SCA takes an expansive look at
history. It covers the years 600-1600 A.D., says the
charter, but no one pushing those limits a little is turned
away; some SCA members even study the code of the samurai,
the warriors of medieval Japan. This flexibility
distinguishes SCAdians from more traditional re-enactors who
focus narrowly on specific periods — like Civil War
re-enactors, or regiments re-creating American Revolutionary
battles. Members are free to flesh out their favorite
time-traveling fantasies how they will.
"It's a chance to play at your archetype," says Sir Saeric.
"In the modern world, you don't get to be a hero, you don't
get to be a warrior."
As a knight living 800 years ago, he gets to play the hero,
both on the valorous field and in the royal court. He wields
an agile sword, instructs and mentors fighters and, above
all, upholds the honor of his lady. He can tell you all
about his parents and grandparents and how the family got
its name.
All SCAdians have personas, as they are called. Some, such
as the viscount's, mirror the modern world fully in the
past, with elaborate personal histories appropriate to the
time. Others might be only a name to justify a particular
costume.
Mr. Traylor began constructing the character of Saeric
Scireham midway through college 20 years ago, when he joined
the SCA. Getting into the group gave him a new spin on
history, not one of his more favorite subjects in school. So
wondrous was this new vision of the past that he switched
majors and got a bachelor's degree in — what else? —
history.
Soon he won an award of arms, the first honor bestowed by
the society on new members. This allowed him to display a
coat of arms and to title himself a lord. Most people reach
that rank, which they earn for service to their kingdom, but
few go any higher.
It took him 13 years to gain the exalted level of
knighthood. He got there by showing exemplary courtesy and
formidable prowess on the field and by rendering
indispensable service in the court.
"Knights are supposed to be an example of everything the
society stands for," Mr. Traylor says. "That makes
knighthood both a joy and a burden, because you are on
display at all times."
Part of this display calls for adding several distinguishing
insignia to his costume, which only knights may do. These
include a white belt, worn to symbolize chastity — "You
cleave to your one lady," he says. Around his neck goes a
gold chain, signifying the oath of fealty that all knights
swear to the crown.
Signaling the horsemanship of his kinsmen long ago, he
clamps spurs to his boots, though only for ceremonial
occasions. They tend to fall off his favorite pair of boots,
made for riding motorcycles rather than horses. But that's
OK. Knights don't ride horses in the SCA. And black
motorcycle boots look really medieval from 10 feet away.
• • •
Last year Mr. Traylor vied in a special tournament held
every six months to select new monarchs. Such contests, in a
category known as heavy fighting, call for a contestant's
stoutest sword and toughest armor. They progress through a
series of one-on-one bouts by double elimination.
Winning the tournament, he became prince of Northshield, a
principality centered on Milwaukee, Wis., where he then
lived. Northshield belongs to the Middle Kingdom, a vast
region that includes the north-central United States and
sections of Canada.
When he stepped down from his six-month term as prince, he
was granted the title of viscount, an honor reserved for
ex-princes. His royal obligations over, he wanted to leave
the kingdom of Northshield. But moving meant asking the king
to release him from his oath of fealty, something that his
long allegiance to the land made difficult to do:
"[The king] is someone I've known for 15 years," says Mr.
Traylor. "I've known him as John, a captain in the Illinois
state troopers. But he is also Sir Bardolf, king of the
Middle Kingdom."
He broke the bond, anyway, to join his wife, studying for a
Ph.D. in speech therapy at the University of Maryland,
College Park. Last month he swore a new oath of fealty, with
all due ceremony. To take the vow he knelt before King Galmr
Ingolfsson and Queen Aryanna Hawkyns at their coronation as
rulers of Atlantia, a kingdom spanning Maryland, Virginia,
the District, North and South Carolina and Augusta, Ga.
"The formula for becoming the king and queen is: King by
right of arms, queen by right of love and beauty," says the
viscount.
The viscount's wife, Ciara ni Mhaille, stands nearby,
wearing a long dress and a broad-brimmed black hat. "In one
kingdom we had a woman win the Crown Tournament," she says.
"She was queen by right of arms."
In the mundane world, which is everything not of the Knowne
Worlde, she goes by Virginia Traylor. Mistress Ciara, as she
is formally addressed in the SCA, wears a large, amber,
tear-drop pendant around her neck on a thin silver chain. It
was awarded to her by the king of the Middle Kingdom. An SCA
jeweler made it, engraving the back with a laurel wreath.
The award signifies her acceptance into a select society
peerage called the Order of the Laurel. Membership in the
order honors those who excel at medieval arts and sciences.
For example, Mistress Ciara received it for her skills in
embroidery. She teaches classes on the subject at SCA
workshops, and can tell you about every embroidery style
known to exist between 600 and 1600.
The laurel imparts the same rank that knighthood does. So,
Mistress Ciara's word carries nearly as much weight as that
of her husband, the viscount. They met in the SCA 17 years
ago.
Embroidery may be more appealing to most women than wielding
a sword, even in these post-20th-century days of parity
between the sexes. Certainly, during the Middle Ages, seeing
a woman on the battlefield would have raised more than a few
eyebrows. Cooking, sewing, spinning, weaving — crafts of the
hearth, rather than crafts of war — were their domain.
The SCA teaches all these crafts and more, free of charge,
to any member who wants to learn and enjoy them, regardless
of traditional gender stereotypes. This impartiality
reflects the Society's emphasis on recreation rather than
re-creation.
• • •
"You don't have to be an historical weenie to be in the
SCA," says Anarra Karlsdottir, who also wears a Laurel
pendant around her neck. "You can just come and have fun."
Mistress Anarra won the Laurel, a large hand-crafted
medallion of butter amber, as much for her mastery of Viking
history as for her devotion to bringing it alive. Her
surname reflects a traditional Nordic custom still practiced
in Iceland today. Children were given their father's first
name, appended by their sex, as a last name. The patronymic
identifies her as Karl's "dottir."
Mundanely, she is Terry L. Neill, a business analyst from
Baltimore, Md. She joined the SCA at the age of 12, some 20
years ago, after seeing several events it held in Eugene,
Ore., where she grew up.
"Everybody loves something different about the SCA," says
Ms. Neill. "I promote the research that goes into an
as-close-to-historically-accurate Viking living experience
as possible."
Indeed she does. She even sails a Viking ship on the
Chesapeake Bay, as a member of the Longship Company, Ltd., a
medieval re-enactment group, incorporated in Maryland, that
operates two replica Viking ships. Though Longship's focus
is Dark Age Nordic life, it belongs to the broader medieval
group known as the Markland Medieval Mercenary Militia.
Similar to the SCA, though sticking pretty much to eras
before 1300, Markland takes a tongue-in-cheek approach to
its chosen era and to itself. Its anthem, for example,
speaks of its home turf, Markland, as a "slimey sod forsook
by all the gods," and its men as "noble sons" who "run from
the sounds of guns." To add to the fun, the song is sung to
the melody of Czarist Russia's national anthem.
Markland began as a battle. Washington-area swordsmen,
looking for something with more flair than Olympic-style
fencing, gathered on the University of Maryland's College
Park campus in 1969. They staged the Battle of Hastings,
that epic struggle of Oct. 14, 1066, that saw the defeat of
King Harold II of England at the hands of Duke William of
Normandy and began the Norman conquest of the Saxon land.
The staged battle became an annual tradition, attracting an
ever-growing cadre of medieval enthusiasts. Now, Markland
covers an area from Virginia to New York. It shares the
field with the SCA as the only other similar living-history
group of note in the region. Members of one group often
belong to the other.
In fact, the weekend warriors at Marietta Mansion included
some Marklanders, who fought on familiar turf. They know it
well, because the Battle of Hastings re-enactment, too large
anymore for Maryland's quad, takes place there every year.
It will again this weekend, when the Normans attack the
Saxons on the Marietta lawn to commemorate the 935th
anniversary of the epic conquest. Afterward, there will be
revelry — a Hastings feast, with music by a very old Norse
band named Thrir Venstri Foetr (Three Left Feet) and dancing
by all. And there will be a Viking ship.
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